![]() The band, which underwent a name change as part of the artist development process, saw a huge increase in its online following after releasing one new music video. “But we realized there’s a lot of people who can play great music and, without the right promotion, it doesn’t really get you anywhere.” ![]() “You never want too many cooks in the kitchen to tell you how to do your art,” said Harley deWinter of band My Mechanical Heart. “My passion sits with these kids because I think about how if I had someone helping me when I was 16, I would’ve made stronger choices and had the right tools to go into a professional setting.”Īs the young artists who come to ReAmp begin to figure out which direction they want to travel in their music careers, Rose and others there provide guidance while still allowing their clients some creative freedom. “Sometimes it’s hard to get an artist to understand that they’re also a product,” Rose said. In addition to recording radio-ready tracks on state-of-the-art equipment, musicians who come to ReAmp also have the option of going through an artist development program, which Rose said essentially dissects the way a musician is presented to the public. With this new partnership, the Tustin School of Rock will connect serious students with ReAmp to take their training to the next step. Students at School of Rock can take weekly private lessons in guitar, bass, vocals, keyboards and drums and practice those skills in a group setting to prepare for performances. “That’s something School of Rock already does and does well, so we wanted to find this synergy and create a community.” “We focus on recording original music, but we don’t give music lessons,” Rose said. As the studio celebrates its anniversary, co-owners Stefani Rose and Daniel Martin have officially announced their partnership with Tustin’s School of Rock as a way to provide Orange County students with a complete look at the music industry. In Tustin, ReAmp Studios is helping several young artists realize their dream by making it possible for them to record original material. Another resource that may be hard to come by, especially for students, is access to a professional recording studio. Success in the music industry requires talent and countless hours of rehearsal, not to mention the business side of things such as social media and marketing. Using a transformer helps eliminate ground noise transformers allow signal to pass from the input to the output without a direct connection between the grounds.Īt the end of the day, reamping is a valuable tool that allows engineers to create new and interesting layered tones, help fill out a mix, or free up time to focus on a musicians’ performance.“Rock star” is pretty high on the list of things kids say they want to be when they grow up, but very few see that dream through to reality. Radial’s Reamper uses a passive design with a custom wound transformer and circuit. It features both XLR and ¼” TRS input connectors, variable output level, and a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. At Hybrid Studios, we like to use Radial’s JCR Studio Reamper. To solve these issues typically a reamp box is used. In addition, connecting the two systems directly can also create a path for noisy ground currents to flow into the audio paths. Conversely, most amps are designed for low-level, unbalanced, high-impedance signals, so patching right from pro-audio to guitar gear can cause an impedance mismatch. Professional recording equipment uses a high-level, typically balanced, low-impedance signal. In other words, you can focus on the performance while the musician is at his or her best and then take your time to reamp something by moving microphones around the room, changing amps or adding effects as needed after the performer has left. ![]() Another reason you might want to reamp something is the flexibility it gives a production team to focus on the performance rather than the tone. By playing a dry signal through an amplifier and then using room mics to capture the ambiance, engineers are able to create new layers and blend wet signals with the original dry recording to achieve a new sound. Typically, the goal when reamping is to “warm up” dry tracks, which often means adding complex, musically interesting layers. You might reamp a track to add amplifier distortion, EQ, compression, or natural reverb. ![]() To reamp in studio means to take a recorded track, played out of a speaker, and re-record it using different microphones and mic placements to achieve new tones. ![]()
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